Fridays are Guest Blogger Days on The Write Spot Blog. Contact Marlene if you want to be a guest blogger on The Write Spot Blog, ~600 words, inspiring and encouraging for writers.
You can read what other Guest Bloggers have written by clicking here.
Fridays are Guest Blogger Days on The Write Spot Blog. Contact Marlene if you want to be a guest blogger on The Write Spot Blog, ~600 words, inspiring and encouraging for writers.
You can read what other Guest Bloggers have written by clicking here.
Ted A. Moreno, Certified Hypnotherapist and Success Coach, shares his top ten tips for super productivity.
1. Start the day centered and grounded. Jim Rohn said “Either you run the day, or the day runs you.” How you start the day will affect how your day goes. If you wake up and you are already rushing around and running late, the day is running you. Give yourself some space to be prepared mentally and feel super in the morning, even if it means getting up earlier to exercise, read or meditate.
2. Write down your goals the night before. Make your to do list the night before. Plan to start the next day with the most important things that will make the biggest difference, or start with the hardest. This way, you move into the day with momentum and the feeling of productivity and being super!
3. Keep yourself fed and watered. I have an avocado tree and a tangerine tree in my back yard. If I don’t water them and feed them, they don’t produce. Same with you.
4. Have a routine or a system. Develop a habit of productivity by using a system that works for you. It might include a Franklin Covey type planner, Outlook tasks, or one of the many online tools available. I use the Pomodoro Technique and a daily calendar sheet with my list that I carry around in my shirt pocket. Not very high tech but it super works.
5. Prioritize tasks. Some days you are not going to be able to do it all. Prioritization maximizes your productivity and focus so that you get the most super important stuff done. Roll the non-essential stuff over to another day.
6. Pay someone to do those things that are not worth your time. What can you take off of your plate by paying someone else to do that gets paid less per hour than you do? For 10 bucks a week, my super gardener does in 45 minutes what it used to take me 3 hours to do.
7. Work simultaneously instead of sequentially. Instead of working on something for four hours, work on it for an hour and half, then another project for an hour, then another for an hour or so. You will be moving a number of projects forward at the same time. Waiting to start the next one until the current one is done is a super productivity killer.
8. Get rid of distractions. Turn off email, Facebook and silence your phone while you are working on a task. These are the biggest time vampires that will suck the productivity out of you. Work for an hour, then take 15 minutes to return calls or email. One guy I know has a phone message: “I return calls between 4 and 6 pm,” thus setting the expectations for his callers as to when their call will be returned. Guard your time like the super precious asset it is.
9. Be ok with failure. Dan Kennedy says “Success is cooked up in a messy kitchen.” Don’t wait for conditions to be super, or perfect, or for your desk to be organized or the moon to be full. Just start and keep moving forward. Things might get screwed up, you may need to scramble, improvise, or start over. Sometimes that’s what it looks like.
10. Take a break. Being super productive doesn’t mean killing yourself or not spending time with loved ones. Productivity doesn’t necessarily mean struggle either. Play some music, take a walk, call a friend, eat some ice cream, then get back to your project refreshed, renewed and feeling super good!
Need help with productivity or procrastination? I’d love to help you. Click here to contact Ted.
Your companion on the path to possibility, Ted A. Moreno
Ted A. Moreno is a hypnotherapist, success performance coach, published author, educator and sought-after speaker who helps his clients become free from fear and anxiety, procrastination and bad habits such as smoking. Ted works with business professionals, performers, athletes, students and anyone seeking excellence in all areas of life. Ted’s book, “The Ultimate Guide to Letting Go of Negativity and Fear and Loving Life” is available on Amazon.com.
Note from Marlene: I have worked with Ted. Hypnotherapy via phone lines works! Ted was very helpful in assisting me with getting past some roadblocks. I highly recommend him.
Guest Blogger Daniel Ari talks about The Miracle of Language: Reminders from 50,000 Feet
Chin.
An alien from another galaxy encountering those four written characters or the sound we as English speakers make reading them would have no idea what we were writing or talking about. The markings or sounds alone would give the alien no inkling that they even possess a corresponding meaning in the physical world.
We write using a complex system of symbols that are almost entirely abstracted from the physical phenomena they indicate. The alien might stand a chance at understanding spoken onomatopoeias, perhaps fetching a connection between the shouted words bang, boom or screech with the aural phenomena they represent. And perhaps the written article a might indicate to the alien the spirit of its meaning as something singular. Yet wouldn’t you be impressed with an alien that could intuit even those connections from our abstract language? I would.
The miracle is that we learn to associate a huge range of phenomena with a huge range of symbols. For example, you can read the word candy as it appears here on screen and know it’s the same word as the one built out of plastic, foot-tall, block letters above the entryway of a candy store. The two symbol sets are vastly different in appearance, yet we decode and access related bodies of meaning from both.
At the same time, the range of meanings we associate with the symbols is enormous. Where does your mind go when you read candy? Cellophane-wrapped hard candies? A bag of Halloween spoils? Or a sudden, unspecific craving? Or that song “I Want Candy” by Bow Wow Wow?
It awes me that I can write chin—never mind the font—and you can visualize the chin that makes the most sense for you. If I want to guide your mind, then I can add prominent, clean-shaven, Caucasian, famous. Or I can write about meeting Jay Leno backstage before a live concert a few months before he took over The Tonight Show from Johnny Carson.
My brother Phil was one of three comedians opening for Jay that night. I went backstage to meet Leno, and he joked amiably with my brother and I and about five others from the campus comedy club, including our friend Mike Chin. I could see Mike was thinking about cracking his joke about also being a “chin” comedian, but before he could, Leno handed me a Coke from the table of refreshments—cubes of cheese, cut vegetables, a bowl of M&Ms candy, green ones included—and Mike’s moment was lost. I recall feeling jealous of my brother and the other two comics who had opening slots that night. I also had mixed feelings about Leno beneath my celebrity-awe. In the comedy club at that time, we regarded David Letterman as the better comic, the one who should have taken Carson’s throne.
I think it’s a miracle that you can make sense of what I’ve written. And to honor the miracle, I’ve done my best to aid your understanding by choosing my words consciously, with the intention of making my meanings clear—even the unspoken ones.
I like to assume an atmospheric view of language sometimes because it reminds me of the magnitude of the project and helps me accept the processes of writing as gradual and incredibly grand. It helps me remember that it’s taken me 47 years—and counting—to learn the abstract symbolic system of contemporary North American English.
When you interpret the rows of abstracted symbols I have chosen, you get an indication of my experience. That’s why I revisit and rework my strings of symbols so meticulously—adding, subtracting and swapping; changing handwritten to digital to printed; translating writing into voice.
We attempt to share experience. Remembering that writing means communicating through a complex system of abstraction reminds me that results are guaranteed to be inexact. But if perfection is impossible, connection isn’t. That’s what we as writers strive toward, and when we experience that others are moved by what we’ve strung together, that is the greatest satisfaction a writer can feel. Do you know what I mean?
DANIEL ARI writes, teaches and publishes poetry. He lives in Richmond, California, where he leads a monthly writing jam, thriving since 2011; and he has taught and led writing sessions and workshops since the 1980s. Daniel has recently placed creative work in Poet’s Market (2014 and 2015 editions), Writer’s Digest, carte blanche, Cardinal Sins, Flapperhouse, Gold Dust Magazine and McSweeney’s. Daniel also works as a professional copywriter and performs improvisation with the troupe Wing It in Oakland, CA. His blogs are Fights with poems and IMUNRI = I am you and you are I.
Read Daniel’s tongue-in-cheek, “Reject A Hit” about e.e. cummings in the July/August 2014 issue of Writer’s Digest magazine.
Daniel will be the July 17, 2014 Writers Forum Presenter in Petaluma, California
Guest Blogger Marjorie Richardson writes about waking our consciousness through gentle yoga.
Want to calm your nerves, quiet your mind, decrease anxiety and heighten immunity? How about having more comfort and ease in your body? Developing a feeling of fluidity in your body? Accessing your creativity? All these things can and do take place through slow and gentle movement accompanied by focused rhythmic breathing. Gentle yoga enhances our ability to hear ourselves, to listen to the inner cues we are constantly being given. In deeply concentrated states of mind, restlessness calms down. Synchronizing breath and movement train the mind to sense the subtle layers of well-being below all the surface chatter.
Hatha Yoga is a tool discovered thousands of years ago to be used to awaken consciousness and unite with all the levels of our being. When attention is directed inward, your body receives messages that you are safe and secure; your self is being looked after. Muscles relax, blood pressure drops, the nerves calm, the mind quiets, anxiety decreases and immunity heightens.. Our fast-paced busy lives tend to stimulate a high level of stress that runs our immune systems down as they try to cope. A Yoga practice is a counter pose to that life style.
The gift of yoga is multifaceted. Through our yoga practice we break through and loosen old patterns of feeling and being. We develop a new relationship with ourselves physically, mentally, emotionally and spiritually. Yoga deepens our understanding of who we are and how we choose to be in the world. Yoga expands us, opens us to new territory, releases stuck places that were previously unavailable. Through our yoga practice we attune to our alignment at the core of our being. We increase physical strength, flexibility and balance. We develop non-judging acceptance and open heartedness. And through all of this we experience a calmer and more peaceful state of mind. We cultivate an ability to listen to our body, to hear what it really needs for well-being. We begin to move away from the push and the struggle and breathe into the little releases and insights that are revealed to us through our body as we learn to listen with curiosity and trust. In this way, yoga can enhance our writing.
The body, mind and spirit responds to and loves the oxygenating benefits of deep rhythmic breathing and the balancing of all the body systems through the gentle stretching and relaxing into the poses. The true work of our yoga practice is cultivating self acceptance, kindness and patience, developing and integrating body mind and spirit. Our physical need is health, our psychological need is knowledge and our spiritual need is inner peace. Cultivating all three produces harmony and who the heck doesn’t want that?
Marjorie Richardson is a certified Integrative Yoga Instructor & Massage Therapist who has been teaching yoga in Petaluma, California since 1997. Her gentle style supports the process of letting go of tensions, worries and habits by using breath and movement synchronized together.
Note from Marlene: I just love serendipity. I’ve had this post ready for awhile, waiting for an “open spot” on the guest blogger calendar. Today is The Day. There is a good article about “Yin yoga: A fascia-nating practice,” by Hana Medina in the July 2014 issue of The Costco Connection. Don’t you just love it when serendipity happens?
Guest Blogger Suzanne Murray writes about: The Power of Establishing a Practice.
Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness concerning all acts of initiative and creation. There is one elementary truth, the ignorance of which kills countless ideas and splendid plans; that the moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision raising in one’s favor all manner of unforeseen events, meetings and material assistance which no one could have dreamed would have come their way. I have learned a deep respect for one of Goethe’s couplets: “Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now!” – W.H. Murray The Scottish Himalayan Expedition
Whether it’s for writing, meditation, or exercise, establishing a practice can help you move forward in magical ways. Having a practice means that you show up every day, no matter what. You are going to want to release all expectations of outcome or where you think you want things to go. It doesn’t matter how good you are or what you accomplish or what happens with the practice. You sit down to meditate and your mind goes wild with chatter the entire time, that’s fine. You show up to write and find yourself whining on the page, that’s okay. The point is to show up and practice.
A lot of things are happening when you show up consistently to something. You begin to forge the neural nets in your brain needed for the task and strengthen them so that whatever you are committed to actually becomes easier to do and you are able to increase our level of skill. In writing your subconscious mind is working 24/7 on whatever you give it to focus on, so showing up everyday allows you to access new insights and ideas arising from your expanded mind.
You commit and take the action. The universe responds in kind to the power of your willingness and the force your commitment. Free from expecting that you need to accomplish something, you relax and open up to allowing. In this receptive state, the your subconscious mind aligns with the workings of the Universe and you find support, synchronicities and inspired ideas coming to you.
Establishing a practice helps you move beyond any resistance that has been in the way. When you release the need for instant gratification you slip into a sense of satisfaction from the simple act of showing up for yourself. You learn to find joy in the practice itself and this allows you to expand your creative capacity.
To begin, start small. When I coach writers who are having a hard time showing up, I ask them at first to commit to writing ten minutes a day. This helps you cross the threshold of resistance and move past the associated voice that tells you that you don’t have enough time. Once you have established the habit of showing up you will find things flowing with greater ease.
Suzanne Murray is a creativity and empowerment coach and offers healing work with EFT. Her eBook contains material that she has used for more than twenty years in her writing classes. Her ebook helps followers to show up to write, find their voice, deepen their experience with the writing process and surrender to the creative flow and let the magic happen. The portable book is like being in one of her workshops and allows participatns to establish writing as a practice. Suzanne offers her book with a 14 day money back guarantee. For information about Suzanne’s ebook and her coaching packages, please click here.
Check out Suzanne’s inspiring Blog, Creativity Goes Wild, for ideas on writing, creativity and life coaching.
Guest Blogger Alicia Butcher Ehrhardt shares her secrets for keeping track of plots, characters and their shenanigans.
Hi! Marlene asked me to write about the weird way I write – and I will, with one caveat: don’t try this at home.
In fact, don’t try any of this at all unless you already know you’re an extreme plotter (as opposed to a pantser), and need to 1) have tight control over what happens in your novel, and 2) have a method that you are comfortable with to keep track of all that plot stuff. If you are a true pantser – following your instincts alone – I think the following will strike you as insane.
I do this because my CFS-addled brain makes it very difficult for me to keep everything in my head – more about that in a minute.
I gave up Word for managing a writing project because I had too many files, and no system to keep them under one management. I am good with Styles in Word after I finish writing – and it’s one way of formatting output to look exactly as I want it to.
Scrivener manages my writing projects, and I use all its features to the max. While I’m working on a scene, I have a number of auxiliary files where I do my thinking, and use the synopsis, label, metadata, etc. features of the Inspector – little text files Scrivener provides for you automatically with each file in your main hierarchy. Scrivener will also ‘Compile’ your text from the pieces into an ebook, or a Word file with a lot of formatting control over the output.
I use Dramatica to plot – and I don’t recommend it unless you want to spend years learning what it means (some of the terminology is tricky), but it leads to the possibilities of fiendishly complicated plots that hang together beautifully at the end. Again, I use almost ALL the text boxes in the program that allows me to store bits and pieces of thought – and they can all be transferred to the working files when I need them.
I use Dramatica’s Scene/Chapter list function to set out what goes where, and then copy that structure to my Scrivener project for the writing. I end up easily with an outline of the whole project in either program, and I keep the correspondence between the two up-to-date. Dramatica keeps track of what goes where with checklists, so I can see that everything (called appreciations – apps for short) I answered when creating the story actually ends up in a scene in the final story.
Because I have all this structure in place – which can be collapsed or expanded to any level – when it comes to the writing part, I have a single scene at a time in my workspace with several files containing every little piece of character, plot, or theme that is going into the scene. When I start the writing, I don’t yet know how these bits will be expressed by my characters within a scene that has a short title – “Scene 9.1 – Andrew restless after fight; sleeps at Kary’s house,” but with a solid structure I can have the fun of figuring out how to make the pieces fit – and the knowledge that when I’m done, the scene will fit neatly into its slot in the Chapter and Book.
A scene is about how much I can work with at a time: my brain won’t keep more than that loaded without dropping bits. Since I usually take several naps during a writing session, I’d make no progress if I had to go look at the whole. Within the scene I set up as many beats as I have topics to expand, so that a scene is composed of one to several beats dealing with a small subset of ideas/dialogue/action/thoughts, and segues neatly into the next beat, so that a scene is a set of linked mini-stories with transitions that make sense. Structure within structure.
Once I don’t have to worry about losing that absolutely wonderful Idea I had for a plot bit in Chapter 19 just because I’m writing Scene 9.1 about the fight aftermath, because I stored it for when I get there, in a searchable format I can’t mess up, it frees my mind to concentrate on the scene at hand – and how I want to actually tell the story I’ve invented. It’s like knowing I can bring the red thread from the back of the tapestry to the front to weave in a rose when I want one, because the red thread is there, on the back side, ready for me to use.
Just writing a bit about this makes it seem impossible, but if you are interested in more control, and in some of the tools I use, please drop by liebjabberings.wordpress.com, and type into the search box: scene template [8 posts with screenshots of the Scrivener template I’ve created to store my bits; downloadable], Dramatica [for apps and plotting], and structure [how I use it when writing]. Select Categories such as ‘CFS’ for how my brain works and why I have to manage it to even write at all, or ‘fears’ for the things I do battle with regularly which keep me from writing. Check out the Pride’s Children tab to see the novel being created with these tools posted, a new polished scene every Tuesday – and judge for yourself whether my method produces something you find readable. Or the short story ‘Princeton’s Dancing Child’ – also plotted with the tightest form of Dramatica.
Hard to believe, but this complicated superstructure makes it possible for my writing to be simple: once I get the ideas in order, the writing flows – a topic for an entirely different kind of post.
Note from Marlene: Click here for 9 reasons why Nina Amir uses Scrivener.
I’m Alicia (ah-lee-see-ah). I use: Alicia Butcher Ehrhardt. No ‘B.’ No hyphen. And no, I’m not related to Amelia. My middle name is Guadalupe.
WRITING THE HARD WAY: I am a PWC (person with CFS); I try not to let it have more of my life than absolutely necessary, but it’s something I battle every day for possession of my brain. Sometimes I win. I take a lot of naps.
I cannot NOT write. Fiction is my hobby – mainstream, SF, mystery, ? – and I will e-publish myself when I’m ready for prime time.
I sing, garden, draw a little. I will tackle, subject to energy limitations, any household task short of Heating-and-Air-Conditioning. When my brain balks at learning something new, that’s when I know I have to. It can take a while.
DH is now retired. We share a love of science, a home in suburban NJ, a bird-and-butterfly garden, and a chinchilla named Gizzy. My children, who were home-schooled, consider me opinionated and stubborn; they are mostly on their own, and a credit to their parents. My wonderful family and friends are responsible for my sanity, such as it is.
Rebecca Lawton writes about conflict . . . the kind writers want to have in their writing.
Recently I read an article by a bestselling novelist who claimed she didn’t follow the well-worn advice to include conflict in story. “I hate conflict,” she wrote. “I don’t like to read it, and I don’t like to write it.” Wondering what techniques she did use to captivate her devoted followers, I turned to my bookshelf and opened one of her latest works to the first page.
The initial paragraph set a sunny, peaceful scene in which couples and families strolled and played outdoors; the second paragraph described a situation only blocks away where a crowd was experiencing danger that had “turned their perfect Saturday into a nightmare.”
Bingo. Conflict. The word is via the Latin conflictus, meaning contest. My good old Oxford English Dictionary describes conflict as “an incompatibility between two or more opinions, principles, or interests” (There’s a conflict between his business and home life) or “a clash of opposing wishes or needs” (My heart is in conflict with my brain).
Our writing instructors tell us that we’ll engage our readers if we start our works with some sort of clash in our opening sentence or paragraph and keep it coming throughout our stories. We’re directed to embed it in every page to engage our readers nonstop.
It’s good advice. In his fabulous manual, Writing the Breakout Novel Workbook, Donald Maass describes the many levels of conflict that can be integrated into our stories. There’s Inner Conflict (the clash of desires within a character), Bridging Conflict (temporary conflict or mini-problem), Inherent Conflict (a world of conflicting forces), and Main Conflict (main problem in the story). And those are just a few examples.
There’s a connection between writing conflict and building story tension. The two words are inherently opposites, but they work together to hold the interest of our readers (I’ll say more about how conflict and tension are related at the June 19, 2014 Writer’s Forum hosted by Marlene Cullen.
Even before I knew how to weave conflict into a story, culture clash inspired me to write my novel Junction, Utah. From experience I knew communities were disagreeing over resources in the oil-rich American desert, where the story is set, and I wanted to explore that clash. There was much to tell, and as I wrote and rewrote, I discovered new opportunities to bring the opposing forces to light.
Here are ten of the many opposites I identified in my characters and settings in Junction.
But don’t take my word for the universality of conflict. Go to your own bookshelf and do a survey of your own beloved stories. I did, and found opposing wishes or needs woven into the fabric of these favorites:
Like it or not, conflict is a constant presence in our lives. Fortunately, it also beats the heart of truth in stories and keeps readers engaged to the last page. Don’t think you like to write and read conflict? Think again.
Rebecca Lawton’s work has been published in Orion, THEMA, the San Francisco Chronicle Magazine, Shenandoah, Sierra, More, and other magazines. Her essay collection about the guiding life, Reading Water: Lessons from the River, was a San Francisco Chronicle Bay Area Bestseller and ForeWord Nature Book of the Year finalist.
With her agent, Sally van Haitsma, Rebecca published a debut novel, Junction, Utah. Her collaboration with photographer Geoff Fricker, Sacrament: Homage to a River, is just out from Heyday, and her first short story collection, Steelies and Other Endangered Species (Little Curlew), is due out in June. Her literary honors include the Ellen Meloy Fund Award for Desert Writers and three Pushcart Prize nominations—in fiction, poetry, and nonfiction—and residencies at Hedgebrook and The Island Institute. In fall 2014, she will be working on her second novel while serving as Fulbright Visiting Research Chair in Humanities, Social Sciences, and Fine Arts at the University of Alberta.
For up-to-the-century news, visit Rebecca at the below links or send her email at becca (at) beccalawton (dot) com to receive her monthly writer’s postcard.
Janet Ciel writes:
The other day I was having a conversation with a biking friend who mentioned she had a dream of being a poster child for the 70′s and above age group. She said she was buckling down on her eating, biking as much as possible, and is joining a gym. She was inspired by an amazing woman she read about who is in her 90s and still competing in track and field events.
You know my response was enthusiastic, as of course I always feel that our maximum potential is just another bike ride away. I am amazed at the strength and endurance increases that are possible by just doing it, what “it” is for you, over and over again. No matter what your age you can get stronger and more vibrant.
But some of you have not even started. You might be in your 70s or older and are saying, “it’s too late for me, why bother?” The answer to that is baloney!
First, what do you want your old age to be like? How does being in a nursing home from a stroke, heart attack or inability to move sound to you? How about the idea of your kids having to take care of you and the burden on them? The endless hospital visits, and the vulnerability that comes from a frail body: you are longing for this?
But I think the huge question is: Do you want your life to be one of motivation and striving towards a better you, or one who is just resigned to who you are and will be…a “whatever” kind of thing?
Okay, I am on a rant here, but I feel strongly about this. Those of you who are not doing something truly challenging for yourself physically, I encourage you to push the envelope and actually develop some muscle. And when I say muscle I mean it both literally and in other contexts.
Literally, we need real muscle so that we do not develop osteoporosis. When you work with weights you will develop muscle, and it is vital for our long term strength and well-being. I so recommend braving a boot camp, if you’re reasonably fit, or a core fitness, bar sculpt, TRX or other type of class which works with weights and resistance.
But we also need to develop our “I-am-getting-off-the-couch-and-getting-my-butt-in-gear” muscle too. Once it has been in use for awhile it becomes habit. And once you create the habit…change is inevitable.
We should consider the brain muscle. Okay, I’m not sure brain is a muscle, but it certainly needs a big shift when it comes to activity for a lot of us. So many people have the “I hate exercise” loop running through their heads. If that sounds like you I encourage you to recall a time in your life when you decried having to do something you “hated,” but then eventually liked and then loved. Think computers, for example. I am betting most of us were a tad intimidated, if not downright angry at having to face this machine and learn it. Now it is so ingrained in us that we cannot go anywhere without it being with us in some way. Few people go into a serious exercise regimen “loving” it from the outset. In fact, for most I would say it is a gradual build-up of little steps leading to an eventual “Wow, look what I can do!”
So set this blog aside, get on some sneakers and let’s make 2014 the year we look back on and say, “I started then and I am so glad!”
Note from Marlene: Perhaps you started writing and then stopped because of __________ (fill in the blank). No matter the reason, if you really want to write. . . just start. . . get out a notebook, paper, pen or flex your fingers and sit at your keyboard. By the way, I started a boot camp program last year and absolutely love it. If you are in the Petaluma area, join me at Fitness Revolution.
Guest Blogger Janet Ciel has lost 80 lbs and maintained that loss since 2001. She is a former Weight Watchers leader, and a certified Life Coach specializing in weight management. Janet and her husband Denver recently opened a new bike rental company in Sebastopol, the Sebastopol Bike Center. Janet is a proponent of healthy, smart eating and activity. Check out her website, Healthy and Happy and subscribe to her newsletter to read her blogs monthly.Guest blogger Jared Gulian wrote a fun story about his dream of being published. I love publishing stories that are inspiring and enjoy stories that take place in San Francisco, my home town.
“I’m giving up,” I said. “‘Moon over Martinborough’ is never going to be a book.”
Ever since I’d started this blog I’d wanted to turn it into a book, but I was losing hope.
“Maybe you shouldn’t give up just yet,” Uncle Oscar replied.
Uncle Oscar was here on his annual visit from New York, and we were sitting at the Gamekeeper, the restaurant at Alana Estate vineyard just down the road. CJ and I were having lunch with Uncle Oscar and our friends Leelee and the Wolf.
“Uncle Oscar’s right,” Leelee said. “Don’t give up.
Although the blog had gained some recognition, after 3 years of hard slog I still felt no closer to my book goal. It didn’t matter that I already had a first draft of the book manuscript put together, or that my stories were appearing regularly in Wairarapa Lifestyle Magazine. I was ready to throw my hands in the air.
“Why don’t you write a book proposal and send it to publishers?” Leelee said. “I have a great book which tells you how to write a book proposal. You can borrow it.”
CJ and the Wolf joined in, and the group’s gentle cajoling continued until I finally agreed to write a proper book proposal.
Writing a book proposal
Leelee’s copy of ‘How to get published and make a lot of money!’ by Susan Page was my guide. The title is a bit embarrassing, but it has a very good chapter on how to write a book proposal. It explains how to write sections on the author, the audience, the marketing plan, analysis of the ‘competition’, and chapter-by-chapter outline.
I spent almost two months working on that proposal. I honed and crafted and redrafted. On 16 May 2012 I sent that proposal – printed handsomely and filled with gorgeous photographs – to four publishers. I figured it would sit for months in their ‘slush piles’ of unsolicited material, and I’d be lucky if I ever got a response.
Well, blow me down if I didn’t get a response less than two weeks later. It was from Nicola Legat, Publishing Director at Random House New Zealand. She said, “Many thanks for sending in your overview of Moon Over Martinborough. I am impressed by and grateful for the very detailed analysis it contains. I’d very much like to see the first draft.”
Huh? Was this possible? I quickly sent her my manuscript.
Then the painful waiting began. Each day was sheer torture. What was Nicola thinking? Would she hate my manuscript? Would she love it?
After a week that felt like an eternity, Nicola emailed saying, “Just a quick note to say that I am halfway though, and I am loving it! I’ll be back to you next week.”
Yeah! But it wasn’t final yet. Maybe the second half of my manuscript was horrible. Maybe she would change her mind.
Finally Nicola’s response came. “I’ve now finished my read and I am going to propose to the Publishing Committee at our Wednesday meeting that we accept this book for publication early next year. I will let you know that afternoon what their decision is.”
What?! OMG! I was thrilled. But Wednesday was four whole days away! How on earth was I going to survive the wait?
As it turned out, that four-day wait coincided with my and CJ’s big plane trip back to the States for a long-overdue visit with friends and family. Our first stop was San Francisco, where we stayed with our old Tokyo friends Josh and Tina. At their house I checked my email, and sure enough there was an email from Nicola.
“Can you give a number where it’s convenient to call you later on this afternoon?” Nicola wrote.
I responded that I was in San Francisco, and I sent Josh and Tina’s home phone number. Literally moments later the phone rang.
Tina answered in her best I’m-a-corporate-lawyer voice. “Yes, Jared is here. May I ask who’s speaking?”
I felt like screaming, “Just give me the damn phone!”
“Thank you, Nicola,” Tina said calmly. “I’ll get Jared.”
Tina handed me the phone with a huge smile on her face. “Jared, it’s Random House calling for you.”
What hopeful writer doesn’t want to hear those words?
I took the phone and walked out onto Tina and Josh’s back deck, which overlooks an amazingly beautiful canyon. I can barely remember the details of the conversation. My head was spinning. I have a piece of paper I scribbled notes on, and it hardly makes any sense at all.
But the most important thing I heard in that conversation was this. The Publishing Director of Random House New Zealand said very clearly, “We are really keen and would love to publish your book with you.”
It was a yes.
I feel like I’ve stepped into some bizarre parallel universe where all of my dreams come true. Thank God my friends and loved ones intervened just as I was ready to give up. Thank God.
Click here for information about purchasing print and ebook: Moon Over Martinborough: From Michigan to the Wairarapa… How an American city boy became a Kiwi farmer.
Reposted with Jared’s permission. You can stay in touch with Jared’s adventures as told on Jared’s Facebook Page, Moon Over Martinborough.
I originally learned about Jared and his blog-to-book story on Nina Amir’s post.